The uninspired ‘Serra Pelada’ retreads old territory

The post “Breaking Bad” glut of anti-hero centric crime flicks only had so much to work with. A man, seeking fortune or some means...

‘Force Majeure’ is unbearably tense

In many other movies, an avalanche would be the climax. The hero, at the end of his rope, hanging over some infinitely black cavern,...

‘We Are Not Alone’ feels like nothing at all

If I taught a horror history course, I’d open it with the Peruvian bore, “We Are Not Alone.” Not because it’s anything special, mind...

Sound is king in the claustrophobic thriller ‘Office’

The noise of white collar Korea is essential to representing the horror of it.

Like its protagonist, ‘A Company Man’ is afraid of commitment

"A Company Man" can’t figure out what kind of movie it wants to be.

Dour, thy name is ‘The Ritual’

Really, “The Ritual” has an identity problem: is it a monster flick smart enough to look original but too dumb to work? Or is it a coming-of-age story for four friends whose trauma keeps them apart?

The frustrating ‘Huba’ overstates its point

Foreign Film Fanatic Jacob Holley-Kline says the story of Polish film 'Huba' is 'too thin to be interesting.'

The classic sci-fi sensibility of ‘The Similars’ is impossible to resist

Director Isaac Ezban has a deep love for form, stretching a shallow plot to its absolute limit and driving his characters insane in the process. Watching them break down in the midst of some kind of invasion is a joy, and getting wrapped up in the chaos is inevitable.

Is it hot in here or is it just ‘The Handmaiden?’

To call Korean auteur Park Chan-wook’s newest crime drama ravishing would be an understatement. It’s lusty to the core and focused on sweating bodies and post-World War II politics with enough twists to make John le Carré blush.