There’s a terrifying secret hiding ‘Under the Shadow’

There’s something to be said for the horror genre repeating itself. Like other genre fiction, horror has some very specific tropes and archetypes it...

‘Force Majeure’ is unbearably tense

In many other movies, an avalanche would be the climax. The hero, at the end of his rope, hanging over some infinitely black cavern,...

‘The Last King’ makes quiet moments feel like a race

There's a moment in “The Last King,” a Norwegian historical action flick, where farmers turned royal bodyguards Skjervald (Jakob Oftebro, “Masteren”) and Torstein (Kristofer...

The people are the point of ‘The Propaganda Game’

So many documentaries about North Korea focus on Kim Jong-un's regime. Interviews with the citizens emphasize the horror they live under, but not who...

In ‘Raw,’ the family that eats together, keeps together

Save the cannibalistic urges, relating to “Raw’s” protagonist Justine (Garance Marillier) as she navigates the bloody sex maze of Veterinarian school is easy. She’s...

Yorgos Lanthimos trades hilarity for horror in ‘The Killing of a Sacred Deer’

Foreign Film Fanatic Jacob Holley-Kline says there’s nothing funny about Yorgos Lanthimos’ “The Killing of a Sacred Deer,” but that didn't keep him from laughing at it.

‘Shin Godzilla’ propels Gojira into the 21st century

Thank the lord for the linear thrill ride of “Shin Godzilla.” In a world where white supremacists are on the march again and our...

“Angel’s Melancholy” is garbage

“Angel’s Melancholy” is the artsy torture trash your parents warned you about. There’s a right way to make hardcore horror, and this movie is...

The earnest “Dukhtar” reaches, but never grasps

A movie like “Dukhtar” has an inherent power to it. That power can be unlocked by a good director, but director Afia Nathaniel isn't...