‘Shoah’ is definitely an uncompromising epic

In the lonely interior of Poland, far away from any big city or town, is the small village of Chelmno nad Nerem. From 1941 to 1945 it was here that between 152,000 and 340,000 Jews were exterminated. Of the victims kept there, only two survived.

The jokes in ‘No Filter’ are wrung dry

It's easy to drive a joke into the ground. “No Filter,” for some reason, makes it a point to do so. Every gag, and...

“The Salvation” is anything but

Title: “The Salvation” Director: Kristian Levring Release date: May 22, 2014 Genre: Western Country: Denmark Rating: 2 out of 5 “The Salvation” is anything but By Jacob Holley-Kline...

“Angel’s Melancholy” is garbage

“Angel’s Melancholy” is the artsy torture trash your parents warned you about. There’s a right way to make hardcore horror, and this movie is...

‘The Second Woman’ doesn’t trust its audience

Watching “The Second Woman” is a bizarre experience. To begin with, it's bad with some good sprinkled on. The good is that it's very...

‘I Saw the Devil’ is perverse fun

Revenge flicks have been done and redone to death. Man loves woman, woman is killed, man avenges woman’s death. Who avenges whom is interchangeable,...

‘Big Bad Wolves’ shows its teeth

There’s a fine line between torture porn and torture art. The difference between the two could mean lingering on a sliced throat or torn toenail for too long. “Big Bad Wolves” walks that tightrope with finesse and a vicious moral center.

It’s worth discovering “Where the Road Runs Out”

With so many grim movies being released, a crowd-pleaser feels taboo. Even superhero flicks like “Captain America: Civil War” and “Batman V. Superman: Dawn...

‘The Quiet Earth” is Sci-Fi done right

Title: Director: Country: Release date: Rating: "The Quiet Earth" Geoff Murphy New Zealand October 18, 1985 4/5 The best science fiction embraces its premise. This is clear 20 minutes into “The Quiet Earth,” when...

The xenophobic “Them” falls short

In a tight 77 minutes, “Them” manages to convey an unsettling message, one not easily forgotten. However, that message is enough to undermine the...

‘Baskin’ breaks through finals week blues

Finals week crushes even the strongest students. It's a stressful, grating time where it's not unheard of to break down every once and a...

‘Pusher’ is a ferocious tale

At its core, the brilliant film ‘Pusher’ is about men and the things they do to maintain their manhood. In today’s society, men can...

Sound is king in the claustrophobic thriller ‘Office’

The noise of white collar Korea is essential to representing the horror of it.

Naked comes the ‘Stranger by the Lake’

The French drama thriller is bursting at the seams with sex, simulated and unsimulated.

Revenge is cold as can be in ‘Bad Day for the Cut’

Nigel O’Neill leads the pack as protagonist Donal, the fiercely loyal son of Florence (Stella McCusker) who fills his days looking after his mother and their farm. One night, he drinks himself to sleep and wakes up to see a “fancy sort of boy” and his shadowy associate leaving his home. Inside, he finds his mother bludgeoned to death on the carpet, her mantle clock as the murder weapon.

The uninspired ‘Serra Pelada’ retreads old territory

The post “Breaking Bad” glut of anti-hero centric crime flicks only had so much to work with. A man, seeking fortune or some means...

Every opportunity ‘The Windmill’ has, it squanders

It’s rare to have a slasher so frontloaded with exposition that it feels rushed in its last half, but here we have “The Windmill,”...

It’s a war of tones in the tryhard Austrian flick ‘Sarajevo’

Never has a movie been as blindingly overexposed as “Sarajevo.”

‘District 9’ falls apart in the end

“District 9” was released seven years ago to critical acclaim. Much of it was well-deserved. Director Neill Blomkamp had managed, in many ways, to...

Incompetency reigns in the Spanish hodgepodge ‘The Invisible Guardian’

“The Invisible Guardian” is another banal crime thriller slapped together with all the good pieces of better crime thrillers.

There’s a terrifying secret hiding ‘Under the Shadow’

There’s something to be said for the horror genre repeating itself. Like other genre fiction, horror has some very specific tropes and archetypes it...

‘The Babadook’ is a horror movie about horror

In “The Babadook,” an Australian horror flick from newcomer Jennifer Kent, horror films are as much of a character as the damaged mother and...

“Childish Games” is a treat for horror fans

Title: Director: Country: Genre: Release date: Rating: "Childish Games" Antonio Chavarrias Spain Horror March 9, 2012 4/5 Taking “It’s all fun and games until someone gets hurt” to the extreme, the compact Spanish thriller, “Childish Games”...

“Rams” is tragicomedy at its bleakest

Icelandic humor has got to be the darkest kind of humor out there. Looking at the country's history, it makes sense: in around 1260,...

34 years on, there’s no movie like ‘Eight Diagram Pole Fighter’

I first watched the Shaw Brothers masterpiece “Eight Diagram Pole Fighter” on a Saturday with my now fiancée. I knew what the Shaw Brothers...

‘Miss Violence’ is quiet, too quiet

Calling the group of people in “Miss Violence” a family is like calling prisoners of war safe because they have shelter. There’s no truth...

Art and commerce are the rich man’s game in ‘Beltracchi: The Art of Forgery’

In its most striking moments, “Beltracchi: The Art of Forgery” drops its sympathetic eye and watches the artist work.

‘We Are Not Alone’ feels like nothing at all

If I taught a horror history course, I’d open it with the Peruvian bore, “We Are Not Alone.” Not because it’s anything special, mind...

‘The Turin Horse’ is toil for viewers

There was a point in watching “The Turin Horse” where I wanted to curl up in a dark place somewhere and sleep forever. It’s depressing. But not in the “I want to cry” way. It’s depressing in the “Oh, so life is meaningless?” kind of way.

‘Brazil’ is dystopian at its best

  Title: Brazil Release date: Feb. 20, 1985 Director: Terry Gilliam Genre: Sci-Fi Country: United Kingdom Rating: 4 out of 5   Every single bureaucrat and piece of technology in Terry Gilliam’s...