Like its central relationship, ‘On Body and Soul’ missteps at a crucial moment

“On Body and Soul” is Hungarian director Ildikó Enyedi’s first feature in 18 years, so maybe that misstep is understandable...

Every opportunity ‘The Windmill’ has, it squanders

It’s rare to have a slasher so frontloaded with exposition that it feels rushed in its last half, but here we have “The Windmill,”...

‘District 9’ falls apart in the end

“District 9” was released seven years ago to critical acclaim. Much of it was well-deserved. Director Neill Blomkamp had managed, in many ways, to...

In ‘The Blind Christ,’ faith is more important than miracles

A Chilean drama that’s as much a poem as it is a movie, makes a mesmerizing effort to put a fresh spin on the story of Christ.

Once is never enough for the murky thriller ‘Bluebeard’

Like the great crime thrillers “Bluebeard” tries to be, it leaves you with more questions than answers. Unlike those same movies, however, it’s not smart enough to let viewers come up with the answers.

Some stories are black-and-white, ‘A Yellow Bird’ is black and blacker

Siva (Sivakumar Palakrishnan) is always on the outside looking in. As an ex-convict, getting out of prison only presented more challenges. Life outside it...

The classic sci-fi sensibility of ‘The Similars’ is impossible to resist

Director Isaac Ezban has a deep love for form, stretching a shallow plot to its absolute limit and driving his characters insane in the process. Watching them break down in the midst of some kind of invasion is a joy, and getting wrapped up in the chaos is inevitable.

‘The Quiet Earth” is Sci-Fi done right

Title: Director: Country: Release date: Rating: "The Quiet Earth" Geoff Murphy New Zealand October 18, 1985 4/5 The best science fiction embraces its premise. This is clear 20 minutes into “The Quiet Earth,” when...

‘Hounds of Love’ should have had a tighter leash

For all its earnest intensity, “Hounds of Love” has remarkably boring stretches. I was puzzled by those moments because everything on-screen was important and...

‘The Clone Returns Home’: Sci-fi with a twist

In the world of “The Clone Returns Home” cloning a body is possible, but what about the spirit? “Even if you extract the memories and destroy the original body, the original soul will still remain,” says Professor Teshigawara (Toru Shinagawa, “Dark Water”) in a scene from the film.

A tired story doesn’t drag down ‘Headshot’s’ ferocious spectacle

You don’t need to read this review to know what to expect from “Headshot,” a go-for-broke martial arts romp from Indonesia. It’s right there...

The jokes in ‘No Filter’ are wrung dry

It's easy to drive a joke into the ground. “No Filter,” for some reason, makes it a point to do so. Every gag, and...

Despite a valiant effort, ‘Extraordinary Tales’ falls flat

It’s hard to add to an artistic legacy like Edgar Allen Poe’s. The first adaptation of his work was released over 100 years ago,...

‘The Raid: Redemption’ is mostly bad

Most martial arts movies have bad character development and stories. They’re only redeemed through their fight scenes. A swift kick to the jaw or...

The painful ‘After the Wedding’ hits hard

The best family dramas can be unbearable to watch. Anyone who's had a tense confrontation with a loved one can attest that complicated dynamics...

“Train to Busan” plows ahead at all costs

Zombies have been done time again and again. “Maggie” and “World War Z,” while not great, managed to inject some originality into the genre....

Artsy action elevates ‘No Tears for the Dead’

Well done genre fare is a treat. While “No Tears for the Dead” takes the action genre a step further, it works best when...

“Moloch Tropical” doesn’t reach its ambitions

TV movies rightfully get a bad wrap. The Lifetime television network alone deserves a separate section at the Razzie awards. But, disproving the notion...

‘Bad Guy’ meditates on evil, mixed results

Title: “Bad Guy” Director: Ki-duk Kim Release date: Feb. 11, 2005 Genre: Drama Country: South Korea Rating: 3/5 Some people are just born evil. As for the wordless sociopath at...

It’s a dangerous world in “Theeb”

A typical coming-of-age tale starts with a confused kid. Coming to understand what they didn't before is what evolves the character, but “Theeb,” a...

‘Audition’ holds up after a decade

Japanese auteur Takashi Miike has probably one of the strangest career trajectories in film. He’s made incest-laden allegories like “Visitor Q” and off-the-wall comedies...

There’s a terrifying secret hiding ‘Under the Shadow’

There’s something to be said for the horror genre repeating itself. Like other genre fiction, horror has some very specific tropes and archetypes it...

‘The Second Woman’ doesn’t trust its audience

Watching “The Second Woman” is a bizarre experience. To begin with, it's bad with some good sprinkled on. The good is that it's very...

‘The Babadook’ is a horror movie about horror

In “The Babadook,” an Australian horror flick from newcomer Jennifer Kent, horror films are as much of a character as the damaged mother and...

‘Big Bad Wolves’ shows its teeth

There’s a fine line between torture porn and torture art. The difference between the two could mean lingering on a sliced throat or torn toenail for too long. “Big Bad Wolves” walks that tightrope with finesse and a vicious moral center.

‘Bio Zombie’ is delirious fun

“Bio Zombie” is “Resident Evil” through the eyes of “Shaun of the dead,” with enough goofy gimmicks to keep viewers entertained, at least for...

Despite predicability, “Goodnight Mommy” terrifies

Title: “Goodnight Mommy” Director: Veronika Franz, Severin Fiala Release date: Jan. 8, 2015 Genre: Horror Country: Austria Rating: 4 out of 5Let's get this out of the way: “Goodnight...

Plotlessness kills the mood of ‘When Evening Falls on Bucharest or Metabolism’

Movies with a one-track mind can be frustrating. The needlessly titled “When Evening Falls on Bucharest or Metabolism” has just such a mind. Watching...

It’s worth discovering “Where the Road Runs Out”

With so many grim movies being released, a crowd-pleaser feels taboo. Even superhero flicks like “Captain America: Civil War” and “Batman V. Superman: Dawn...

The uninspired ‘Serra Pelada’ retreads old territory

The post “Breaking Bad” glut of anti-hero centric crime flicks only had so much to work with. A man, seeking fortune or some means...