For better and worse, ‘Look Who’s Back’ rides on its premise

Oliver Masucci plays a mean Hitler, one who, surprisingly, is hard to hate. Sure, he’s Hitler, but his time has passed. Or has it?

Naked comes the ‘Stranger by the Lake’

The French drama thriller is bursting at the seams with sex, simulated and unsimulated.

Sound is king in the claustrophobic thriller ‘Office’

The noise of white collar Korea is essential to representing the horror of it.

Like its protagonist, ‘A Company Man’ is afraid of commitment

"A Company Man" can’t figure out what kind of movie it wants to be.

The frustrating ‘Huba’ overstates its point

Foreign Film Fanatic Jacob Holley-Kline says the story of Polish film 'Huba' is 'too thin to be interesting.'

‘Night of the Wild Boar?’ More like ‘Night of the Wild Bore’

Sitting through “Night of the Wild Boar” is like walking on cold coals: by the end, you’ve overcome no obstacle and just end up with dirty feet.

By putting characters first, ‘Ixcanul’ becomes a transcendental experience

Guatemalan drama starts slow, surprises later with its striking characters and deemphasized setting

‘We Are Not Alone’ feels like nothing at all

If I taught a horror history course, I’d open it with the Peruvian bore, “We Are Not Alone.” Not because it’s anything special, mind...

‘Shin Godzilla’ propels Gojira into the 21st century

Thank the lord for the linear thrill ride of “Shin Godzilla.” In a world where white supremacists are on the march again and our...

A tired story doesn’t drag down ‘Headshot’s’ ferocious spectacle

You don’t need to read this review to know what to expect from “Headshot,” a go-for-broke martial arts romp from Indonesia. It’s right there...

In ‘Raw,’ the family that eats together, keeps together

Save the cannibalistic urges, relating to “Raw’s” protagonist Justine (Garance Marillier) as she navigates the bloody sex maze of Veterinarian school is easy. She’s...

‘The Look of Silence’ goes where ‘The Act of Killing’ couldn’t

The critically acclaimed precursor to “The Look of Silence,” “The Act of Killing,” was criticized for its ethical problems. In making its subjects, those...

‘Hounds of Love’ should have had a tighter leash

For all its earnest intensity, “Hounds of Love” has remarkably boring stretches. I was puzzled by those moments because everything on-screen was important and...

There’s not a dull moment in ‘Hunt for the Wilderpeople’

“Hunt for the Wilderpeople” is one of those movies where everything about it just works. It's a remarkable thing, given how disparate so many...

Despite a valiant effort, ‘Extraordinary Tales’ falls flat

It’s hard to add to an artistic legacy like Edgar Allen Poe’s. The first adaptation of his work was released over 100 years ago,...

‘The Last King’ makes quiet moments feel like a race

There's a moment in “The Last King,” a Norwegian historical action flick, where farmers turned royal bodyguards Skjervald (Jakob Oftebro, “Masteren”) and Torstein (Kristofer...

There’s a terrifying secret hiding ‘Under the Shadow’

There’s something to be said for the horror genre repeating itself. Like other genre fiction, horror has some very specific tropes and archetypes it...

God save us from ‘Rise of the Legend’

The martial arts genre is built on Wong Fei-hung's life. Born in 1847, the Chinese folk hero ran a martial arts school and medical...

Stellan Skarsgard saves ‘In Order of Disappearance’

It's hard to make violence in movies meaningful. So hard, in fact, that most movies, especially big budget releases, can't get their head around...

‘Baskin’ breaks through finals week blues

Finals week crushes even the strongest students. It's a stressful, grating time where it's not unheard of to break down every once and a...

The uninspired ‘Serra Pelada’ retreads old territory

The post “Breaking Bad” glut of anti-hero centric crime flicks only had so much to work with. A man, seeking fortune or some means...

Plotlessness kills the mood of ‘When Evening Falls on Bucharest or Metabolism’

Movies with a one-track mind can be frustrating. The needlessly titled “When Evening Falls on Bucharest or Metabolism” has just such a mind. Watching...

The people are the point of ‘The Propaganda Game’

So many documentaries about North Korea focus on Kim Jong-un's regime. Interviews with the citizens emphasize the horror they live under, but not who...

Beneath the artistry, ‘When Animals Dream’ is nothing new

It's tiring sitting through the same horror movie time and again. There are a few diamonds in the rhinestones, but “When Animals Dream” is...

Thrilling and complex, “7 Años” spares no one

Title: “7 Años” Director: Roger Gual Release date: Oct. 28, 2016 Genre: Crime drama Country: Spain Rating: 4 out of 5 Stick five desperate people in a room and...

The jokes in ‘No Filter’ are wrung dry

It's easy to drive a joke into the ground. “No Filter,” for some reason, makes it a point to do so. Every gag, and...

‘The Second Woman’ doesn’t trust its audience

Watching “The Second Woman” is a bizarre experience. To begin with, it's bad with some good sprinkled on. The good is that it's very...

The earnest “Dukhtar” reaches, but never grasps

A movie like “Dukhtar” has an inherent power to it. That power can be unlocked by a good director, but director Afia Nathaniel isn't...

The good in ‘JeruZalem’ emphasizes the bad

Reviewing two zombie movies in a row seems excessive, but hear me out. “JeruZalem” is another in a long line of Israeli genre flicks...

“Train to Busan” plows ahead at all costs

Zombies have been done time again and again. “Maggie” and “World War Z,” while not great, managed to inject some originality into the genre....