It’s rare to have a slasher so frontloaded with exposition that it feels rushed in its last half, but here we have “The Windmill,”...
Siva (Sivakumar Palakrishnan) is always on the outside looking in. As an ex-convict, getting out of prison only presented more challenges. Life outside it...
Really, “The Ritual” has an identity problem: is it a monster flick smart enough to look original but too dumb to work? Or is it a coming-of-age story for four friends whose trauma keeps them apart?
In this dark Indian comedy, Tashi’s empty-headed fiancee Sonia unknowingly plays courier for a crime syndicate but can’t follow through, so she thrusts the responsibility onto Tashi, who thrusts onto Nitin, who thrusts it onto Arup.
After her father’s death, unstable teenager Verónica (Sandra Escacena) tries to contact him via ouija board, only to be possessed by a dark force.
“On Body and Soul” is Hungarian director Ildikó Enyedi’s first feature in 18 years, so maybe that misstep is understandable...
Foreign Film Fanatic Jacob Holley-Kline says there’s nothing funny about Yorgos Lanthimos’ “The Killing of a Sacred Deer,” but that didn't keep him from laughing at it.
To call Korean auteur Park Chan-wook’s newest crime drama ravishing would be an understatement. It’s lusty to the core and focused on sweating bodies and post-World War II politics with enough twists to make John le Carré blush.
Director Isaac Ezban has a deep love for form, stretching a shallow plot to its absolute limit and driving his characters insane in the process. Watching them break down in the midst of some kind of invasion is a joy, and getting wrapped up in the chaos is inevitable.
I first watched the Shaw Brothers masterpiece “Eight Diagram Pole Fighter” on a Saturday with my now fiancée. I knew what the Shaw Brothers...
A Chilean drama that’s as much a poem as it is a movie, makes a mesmerizing effort to put a fresh spin on the story of Christ.
Nigel O’Neill leads the pack as protagonist Donal, the fiercely loyal son of Florence (Stella McCusker) who fills his days looking after his mother and their farm. One night, he drinks himself to sleep and wakes up to see a “fancy sort of boy” and his shadowy associate leaving his home. Inside, he finds his mother bludgeoned to death on the carpet, her mantle clock as the murder weapon.
With serviceable performances and a killer narrative, “Radius” rides on its formal strengths more than anything.
“The Invisible Guardian” is another banal crime thriller slapped together with all the good pieces of better crime thrillers.
Like the great crime thrillers “Bluebeard” tries to be, it leaves you with more questions than answers. Unlike those same movies, however, it’s not smart enough to let viewers come up with the answers.
In its most striking moments, “Beltracchi: The Art of Forgery” drops its sympathetic eye and watches the artist work.
The fight scenes are grand, the performances are larger than life, and the set design is lavish.
By the climax, Vermut threatens to overstate his point, but he gets engrossed in his story instead and lets it breathe.
Oliver Masucci plays a mean Hitler, one who, surprisingly, is hard to hate. Sure, he’s Hitler, but his time has passed. Or has it?
The French drama thriller is bursting at the seams with sex, simulated and unsimulated.
The noise of white collar Korea is essential to representing the horror of it.
"A Company Man" can’t figure out what kind of movie it wants to be.
Foreign Film Fanatic Jacob Holley-Kline says the story of Polish film 'Huba' is 'too thin to be interesting.'
Sitting through “Night of the Wild Boar” is like walking on cold coals: by the end, you’ve overcome no obstacle and just end up with dirty feet.
Guatemalan drama starts slow, surprises later with its striking characters and deemphasized setting
If I taught a horror history course, I’d open it with the Peruvian bore, “We Are Not Alone.” Not because it’s anything special, mind...
Thank the lord for the linear thrill ride of “Shin Godzilla.” In a world where white supremacists are on the march again and our...
You don’t need to read this review to know what to expect from “Headshot,” a go-for-broke martial arts romp from Indonesia. It’s right there...
Save the cannibalistic urges, relating to “Raw’s” protagonist Justine (Garance Marillier) as she navigates the bloody sex maze of Veterinarian school is easy. She’s...
The critically acclaimed precursor to “The Look of Silence,” “The Act of Killing,” was criticized for its ethical problems. In making its subjects, those...