Every opportunity ‘The Windmill’ has, it squanders

It’s rare to have a slasher so frontloaded with exposition that it feels rushed in its last half, but here we have “The Windmill,”...

Some stories are black-and-white, ‘A Yellow Bird’ is black and blacker

Siva (Sivakumar Palakrishnan) is always on the outside looking in. As an ex-convict, getting out of prison only presented more challenges. Life outside it...

Dour, thy name is ‘The Ritual’

Really, “The Ritual” has an identity problem: is it a monster flick smart enough to look original but too dumb to work? Or is it a coming-of-age story for four friends whose trauma keeps them apart?

Blink and you might miss the fierce Indian crime caper ‘Delhi Belly’

In this dark Indian comedy, Tashi’s empty-headed fiancee Sonia unknowingly plays courier for a crime syndicate but can’t follow through, so she thrusts the responsibility onto Tashi, who thrusts onto Nitin, who thrusts it onto Arup.

‘Verónica’s’ paranormal drama can go two ways, and both are tired

After her father’s death, unstable teenager Verónica (Sandra Escacena) tries to contact him via ouija board, only to be possessed by a dark force.

Like its central relationship, ‘On Body and Soul’ missteps at a crucial moment

“On Body and Soul” is Hungarian director Ildikó Enyedi’s first feature in 18 years, so maybe that misstep is understandable...

Yorgos Lanthimos trades hilarity for horror in ‘The Killing of a Sacred Deer’

Foreign Film Fanatic Jacob Holley-Kline says there’s nothing funny about Yorgos Lanthimos’ “The Killing of a Sacred Deer,” but that didn't keep him from laughing at it.

Is it hot in here or is it just ‘The Handmaiden?’

To call Korean auteur Park Chan-wook’s newest crime drama ravishing would be an understatement. It’s lusty to the core and focused on sweating bodies and post-World War II politics with enough twists to make John le Carré blush.

The classic sci-fi sensibility of ‘The Similars’ is impossible to resist

Director Isaac Ezban has a deep love for form, stretching a shallow plot to its absolute limit and driving his characters insane in the process. Watching them break down in the midst of some kind of invasion is a joy, and getting wrapped up in the chaos is inevitable.

34 years on, there’s no movie like ‘Eight Diagram Pole Fighter’

I first watched the Shaw Brothers masterpiece “Eight Diagram Pole Fighter” on a Saturday with my now fiancée. I knew what the Shaw Brothers...

In ‘The Blind Christ,’ faith is more important than miracles

A Chilean drama that’s as much a poem as it is a movie, makes a mesmerizing effort to put a fresh spin on the story of Christ.

Revenge is cold as can be in ‘Bad Day for the Cut’

Nigel O’Neill leads the pack as protagonist Donal, the fiercely loyal son of Florence (Stella McCusker) who fills his days looking after his mother and their farm. One night, he drinks himself to sleep and wakes up to see a “fancy sort of boy” and his shadowy associate leaving his home. Inside, he finds his mother bludgeoned to death on the carpet, her mantle clock as the murder weapon.

The true star of ‘Radius’ is its story

With serviceable performances and a killer narrative, “Radius” rides on its formal strengths more than anything.

Incompetency reigns in the Spanish hodgepodge ‘The Invisible Guardian’

“The Invisible Guardian” is another banal crime thriller slapped together with all the good pieces of better crime thrillers.

Once is never enough for the murky thriller ‘Bluebeard’

Like the great crime thrillers “Bluebeard” tries to be, it leaves you with more questions than answers. Unlike those same movies, however, it’s not smart enough to let viewers come up with the answers.

Art and commerce are the rich man’s game in ‘Beltracchi: The Art of Forgery’

In its most striking moments, “Beltracchi: The Art of Forgery” drops its sympathetic eye and watches the artist work.

‘Sword Master’ tries to hide its well-trod story

The fight scenes are grand, the performances are larger than life, and the set design is lavish.

When ‘Magical Girl’ relaxes, it captivates

By the climax, Vermut threatens to overstate his point, but he gets engrossed in his story instead and lets it breathe.

For better and worse, ‘Look Who’s Back’ rides on its premise

Oliver Masucci plays a mean Hitler, one who, surprisingly, is hard to hate. Sure, he’s Hitler, but his time has passed. Or has it?

Naked comes the ‘Stranger by the Lake’

The French drama thriller is bursting at the seams with sex, simulated and unsimulated.

Sound is king in the claustrophobic thriller ‘Office’

The noise of white collar Korea is essential to representing the horror of it.

Like its protagonist, ‘A Company Man’ is afraid of commitment

"A Company Man" can’t figure out what kind of movie it wants to be.

The frustrating ‘Huba’ overstates its point

Foreign Film Fanatic Jacob Holley-Kline says the story of Polish film 'Huba' is 'too thin to be interesting.'

‘Night of the Wild Boar?’ More like ‘Night of the Wild Bore’

Sitting through “Night of the Wild Boar” is like walking on cold coals: by the end, you’ve overcome no obstacle and just end up with dirty feet.

By putting characters first, ‘Ixcanul’ becomes a transcendental experience

Guatemalan drama starts slow, surprises later with its striking characters and deemphasized setting

‘We Are Not Alone’ feels like nothing at all

If I taught a horror history course, I’d open it with the Peruvian bore, “We Are Not Alone.” Not because it’s anything special, mind...

‘Shin Godzilla’ propels Gojira into the 21st century

Thank the lord for the linear thrill ride of “Shin Godzilla.” In a world where white supremacists are on the march again and our...

A tired story doesn’t drag down ‘Headshot’s’ ferocious spectacle

You don’t need to read this review to know what to expect from “Headshot,” a go-for-broke martial arts romp from Indonesia. It’s right there...

In ‘Raw,’ the family that eats together, keeps together

Save the cannibalistic urges, relating to “Raw’s” protagonist Justine (Garance Marillier) as she navigates the bloody sex maze of Veterinarian school is easy. She’s...

‘The Look of Silence’ goes where ‘The Act of Killing’ couldn’t

The critically acclaimed precursor to “The Look of Silence,” “The Act of Killing,” was criticized for its ethical problems. In making its subjects, those...